Less is Enough: On Architecture and Asceticism, Pier Vittorio Aureli
Pier Vittorio Aureli

Less is Enough: On Architecture and Asceticism

45 printed pages
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“Less is more” goes
the modernist dictum. But is it? In an age when we are endlessly urged to do
“more with less”, can we still romanticise the pretensions of minimalism? For Pier Vittorio Aureli, the return of “austerity chic” is a perversion of what
ought to be a meaningful way of life. Charting the rise of asceticism in early
Christianity and its institutionalisation with the medieval monasteries, Aureli
examines how the basic unit of the reclusive life – the monk’s cell – becomes
the foundation of private property. And from there, he argues, it all starts to go wrong. By late capitalism, asceticism has been utterly aestheticised. It manifests itself as monasteries inspired by Calvin Klein stores, in the monkish
lifestyle of Steve Jobs and Apple’s aura of restraint. Amid all the hypocrisy,
it must still be possible to reprise the idea of “less” as a radical
alternative, as the first step to living the life examined.

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Karina Saakyan
Karina Saakyan shared an impression2 years ago
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Anastasiya Glushkova
Anastasiya Glushkovashared an impression3 years ago
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Елизавета Яновская
Елизавета Яновскаяhas quoted4 years ago
the most blatant was a piece written by the then architecture critic for the New York Times, Nicolai Ourousoff, significantly titled ‘It Was Fun Till the Money Ran Out’.
Rita Hooge
Rita Hoogehas quoted4 years ago
Rather than owning a robe, a house or a book, they would use these things. Here use was understood not as a value but as the act of sharing things, as the supreme form of living in common.
Simon Glarborg
Simon Glarborghas quoted4 months ago
This is evident, for example, within the history of monasticism, where the architecture of the monastery was expressly designed to define life in all its most immanent details.
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