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David Copperfield

’I have in my heart of hearts a favourite child. And his name is DAVID COPPERFIELD,’ wrote Dickens of what is the most personal, certainly one of the most popular, of all his novels. Dickens wrote the book after the completion of a fragment of autobiography recalling his employment as a child in a London warehouse, and in the first-person narrative, a new departure for him, realized marvellously the workings of memory. The embodiment of his boyhood experience in the novel involved a ’complicated interweaving of truth and fiction’, at its most subtle in the portrait of his father as Mr Micawber, one of Dickens’s greatest comic creations. Enjoying a humour that never becomes caricature, the reader shares David’s affection for the eccentric Betsey Trotwood and her protege Mr Dick, and smiles with the narrator at the trials he endures in his love for the delightfully silly Dora. Settings, (East Anglia, the London of the 1820s), people, and events are unified by their relationship to the story of Steerforth’s treachery, which reaches its powerful climax in the storm scene.This edition, which has the accurate Clarendon text, includes Dickens’s trial titles and working notes, and eight of the original illustrations by ’Phiz’.
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who offered two pounds in cash, and the balance in sherry, but declined to be guaranteed from drowning on any higher bargain
Friday, at twelve o'clock at night.
'But fashions are like human beings. They come in, nobody knows when, why, or how; and they go out, nobody knows when, why, or how. Everything is like life, in my opinion, if you look at it in that point of view.'
bjul
bjulhas quoted4 years ago
Charles Dickens David Copperfield THE PERSONAL HISTORY AND EXPERIENCE OF DAVID COPPERFIELD THE YOUNGER PREFACE TO 1850 EDITION I do not find it easy to get sufficiently far away from this Book, in the first sensations of having finished it, to refer to it with the composure which this formal heading would seem to require. My interest in it, is so recent and strong; and my mind is so divided between pleasure and regret — pleasure in the achievement of a long design, regret in the separation from many companions — that I am in danger of wearying the reader whom I love, with personal confidences, and private emotions. Besides which, all that I could say of the Story, to any purpose, I have endeavoured to say in it. It would concern the reader little, perhaps, to know, how sorrowfully the pen is laid down at the close of a two-years' imaginative task; or how an Author feels as if he were dismissing some portion of himself into the shadowy world, when a crowd of the creatures of his brain are going from him for ever. Yet, I have nothing else to tell; unless, indeed, I were to confess (which might be of less moment still) that no one can ever believe this Narrative, in the reading, more than I have believed it in the writing. Instead of looking back, therefore, I will look forward. I cannot close this Volume more agreeably to myself, than with a hopeful glance towards the time when I shall again put forth my two green leaves once a month, and with a faithful remembrance of the genial sun and showers that have fallen on these leaves of David Copperfield, and made me happy. Lond
Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show.

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