Get off the mark, on the other hand, like a scalded cat, and your public is at a loss. It simply raises its eyebrows, and can’t make out what you’re talking about.
And in opening my report of the complex case of Gussie Fink-Nottle, Madeline Bassett, my Cousin Angela, my Aunt Dahlia, my Uncle Thomas, young Tuppy Glossop and the cook, Anatole, with the above spot of dialogue, I see that I have made the second of these two floaters.
I shall have to hark back a bit. And taking it for all in all and weighing this against that, I suppose the affair may be said to have had its inception, if inception is the word I want, with that visit of mine to Cannes. If I hadn’t gone to Cannes, I shouldn’t have met the Bassett or bought that white mess jacket, and Angela wouldn’t have met her shark, and Aunt Dahlia wouldn’t have played baccarat.
Yes, most decidedly, Cannes was the point d’appui.
Right ho, then. Let me marshal my facts.
I went to Cannes—leaving Jeeves behind, he having intimated that he did not wish to miss Ascot—round about the beginning of June. With me travelled my Aunt Dahlia and her daughter Angela. Tuppy Glossop, Angela’s betrothed, was to have been of the party, but at the last moment couldn’t get away. Uncle Tom, Aunt Dahlia’s husband, remained at home, because he can’t stick the