Ian McEwan

“Dear Miss Morland, consider the dreadful nature of the suspicions you have entertained. What have you been judging from? Remember the country and the age in which we live. Remember that we are English: that we are Christians. Consult your own understanding, your own sense of the probable, your own observation of what is passing around you. Does our education prepare us for such atrocities? Do our laws connive at them? Could they be perpetrated without being known in a country like this, where social and literary intercourse is on such a footing, where every man is surrounded by a neighbourhood of voluntary spies, and where roads and newspapers lay everything open? Dearest Miss Morland, what ideas have you been admitting?”

Her play was not for her cousins, it was for her brother, to celebrate his return, provoke his admiration and guide him away from his careless succession of girlfriends, toward the right form of wife, the one who would persuade him to return to the countryside, the one who would sweetly request Briony’s services as a bridesmaid

the usual animals, but all facing one way—toward their owner—as if about to break into song, and even the farmyard hens were neatly corralled.

She was on course now, and had found satisfaction on other levels; writing stories not only involved secrecy, it also gave her all the pleasures of miniaturization. A world could be made in five pages, and one that was more pleasing than a model farm. The childhood of a spoiled prince could be framed within half a page, a moonlit dash through sleepy villages was one rhythmically emphatic sentence, falling in love could be achieved in a single word—a glance. The pages of a recently finished story seemed to vibrate in her hand with all the life they contained.

beauty, she had discovered, occupied a narrow band. Ugliness, on the other hand, had infinite variation

and nearly everybody else, bed-bound in a garret, she discovers in herself a sense of hu-

The boy would stand a decent chance. Though not as good as it would have been if we’d transfused from the start.”

The sensation will be one of drowning slowly. Before that he may suffer internal bleeding. Renal failure is a possibility. Some patients lose their sight. Or he may suffer a stroke, with any number of neurological consequences. Cases differ. The only sure thing is that it would be a horrible death.”

And treatment without consent would constitute a trespass of the person, or indeed an assault of that person.”

Adam is very nearly an adult. Is it not the case that he has expressed his view to treatment intelligently and articulately?”