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Maggie Doherty

The Equivalents

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An important new work of narrative nonfiction: the timely, never-before-told story of five brilliant, passionate women who, in the early 1960s, converged at the newly founded Radcliffe Institute for Independent Study, stepping outside the domestic sphere and shaping the course of feminism in ways that still resonate today.
In 1960, at the height of an era that expected women to focus solely on raising families, Radcliffe College announced the founding of an Institute for Independent Study, offering fellowships to women with a Ph.D. or “the equivalent” in artistic success. Acclaimed writer and Harvard lecturer Maggie Doherty introduces us to five brilliant friends—poets Anne Sexton and Maxine Kumin, painter Barbara Swan, sculptor Marianna Pineda, and writer Tillie Olsen—who came together at the Institute and would go on to make history. Drawing from their notebooks, letters, lecture recordings, journals, and finished works, Doherty weaves from these women's…
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Quotes

  • донський щурhas quotedlast year
    seeking no profundities by grasp, but achieving them by indirection
  • донський щурhas quoted2 years ago
    “Woodchucks” ends with a shock: the speaker, who picks off troublesome critters with a .22 rifle, wishes that the vermin had “
    all consented to die unseen / gassed underground the quiet Nazi way.” Even with this overt reference to World War II, it’s hard not to read the violence of the poem in the context of the war in Vietnam, where napalm was deployed frequently and deaths were far from quiet or unseen.
  • донський щурhas quoted2 years ago
    The loveliness does not vitiate a raccoon killing a gander
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