Doug Lawson

Bigfoots in Paradise

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From the author of A Patrimony of Fishes, eight darkly comic short stories set in contemporary central California.
Beauty and terror collide in Doug Lawson’s Bigfoots in Paradise, a wild new collection of stories set largely in and around Santa Cruz, California, and the surrounding mountains. It’s a land tucked between Silicon Valley and the Pacific Ocean, one that’s populated by aging hippies and venture capitalist sharks, pot farmers and surfers, child prodigies and roaming herds of wild boar. Earthquakes rumble, meth labs explode, helicopters search overhead for drug farms while wildfires ravage the hillsides. Blimps crash, mushrooms dream, dogfights erupt, trustafarians pontificate while pneumatic ostriches walk the streets and sons and fathers and lovers try desperately to find some way to connect with the past, with themselves, before it’s too late.
Doug plunges headlong into this astonishing country at a fine-tuned, white-knuckled pace that will leave you both gasping for breath and holding your heart in your hands. His characters are awkward, ungainly, and great at hiding and they shamble through the beautiful wilderness of their lives, searching for meaning, searching for themselves.
“Lawson’s taut, graphic prose sparkles. … Insightful, stimulating, and unforgettable tales.” —Kirkus Reviews
“Vivid . . . haunting . . . assured and atmospheric.” —Booklist

“Lawson writes with confidence, his prose is lyrical and poetic, and he comfortably blends dark comedy and empathic observations.” —Hunger Mountain
“These stories are wonderful reminders that the line between childhood and adulthood is an ever-fluctuating, utterly fluid, and perhaps completely irrelevant distinction. … A very satisfying read.”―Antonya Nelson, author of Funny Once
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183 printed pages
Original publication
Publication year
Red Hen Press
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    bohezokolshared an impression4 years ago
    👍Worth reading

    Sunny Thakurshared an impression4 years ago
    👍Worth reading


    ioszY6UwrhgvzWnXhas quoted4 years ago
    REMEMBER I grabbed the table first. Then I stood up and hung on to the swaying wall. I was thinking I should get into a doorway. I’d always heard a doorway would be better but hell, when it was swinging back and forth like that? The door flapping loose? I thought I could dive through it maybe. If I was closer. If I had good aim. Flat out onto the gravel. That would still be better than getting sandwiched by the second floor. Then I thought I should just get under the goddamn table, but by then it was over.
    “That was—” I said, catching my breath, “that was a big one.” I looked at Chundo across several spilled bags of mushrooms. My hair was standing on end, some sort of static charge. The hanging lights were swinging and flickering. Glasses had fallen off the shelf and smashed into those already in the dirty makeshift sink. A bookshelf came to rest. A radio that had been playing Love and Rockets lay broken on the floor.
    “That?” Chundo said with a smirk. He had a shaved head, the tattoo of a dragon looking up out of his shirt. With the tip of a knife, he picked up what I’d recognize now as a candy cap. “That was just a hiccup from God, Barn.”
    He was right. There would be similar quakes all up and down the mountains that year, leading to the big one. The ridge of the Santa Cruz Mountains would shake itself again and again, like a dog after a bath. I’d get used to it. Sand volcanoes would bloom in the dirt roads. Electric charges would leap from our fingertips. There would be days when we all had auras and halos, flickering turquoise and violet. Some nights my cot would sway so much I’d dream I was below decks on an old ship, but after a week of tremors I’d just roll over and keep snoring.
    A tattooed woman and a kid came in then. She was carrying another bag full of mushrooms. The kid was laughing and hooting, weaving back and forth like he was drunk. Sparks frizzled green across the hat he wore, a wide, homemade contraption that was all tinfoil and clothes hangers and ribbons, a half-collapsed, crash-landed blimp. His long hair crackled. The ends of it lifted out from under the hat, up toward the ceiling. The woman reached over and touched Chundo on the cheek, and a green spark cracked between them.
    “Shit, Laurel!” Chundo said, and jumped back.
    “Tag,” Laurel said. “You’re it. And watch your mouth.” She turned to look at me. “You are?” She had tired pale eyes and dyed red hair cut short, and she was wearing an old Smith’s T-shirt cut to show her flat stomach and the piercing in her navel. Grapevines in black and green ink climbed up her arms and encircled her throat.
    She was older than Chundo and I, somewhere in her early thirties. She took in my pink oxford shirt, the pressed creases in my jeans, the new sleeping bag rolled up by the door. When she turned back to Chundo, I saw Chinese lettering that I couldn’t read low on her back. She was Chundo’s usual type, except for the kid.
    “Barnaby,” I said. “Friend from high school.”

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