Books
Nathalia Brodskaya

Naïve Art

Naive art first became popular at the end of the 19th century. Until that time, this form of expression, created by untrained artists and characterised by spontaneity and simplicity, enjoyed little recognition from professional artists and art critics. Influenced by primitive arts, naive painting is distinguished by the fluidity of its lines, vivacity, and joyful colours, as well as by its rather clean-cut, simple shapes.
Naive art counts among it artists: Henri Rousseau, Séraphine de Senlis, André Bauchant, and Camille Bombois. This movement has also found adherents abroad, including such prominent artists as Joan Miró, Guido Vedovato, Niko Pirosmani, and Ivan Generalic.
249 printed pages
Copyright owner
Parkstone International
Original publication
2014
Publication year
2023
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Quotes

  • даша каминскаяhas quoted3 years ago
    It was this multicoloured Russia which at the beginning of the twentieth century provided the impetus for a rejuvenation of painting, a new palette for the pictures of Boris Kustodiev, Vassily Kandinsky, Kasimir Malevitch, Ilya Mashkov, Pyotr Konchalovsky, Aristarkh Lentulov and Marc Chagall, together with those of Mikhail Larionov and Natalia Goncharova.
  • даша каминскаяhas quoted3 years ago
    pictures of Yelena Volkova.
  • evgeniysalinderhas quoted3 years ago
    The other is to apprehend Naïve art as no more or less than that, and to look back into human prehistory and to a time when all art was of a type that might now be considered Naïve – tens of thousands of years ago, when the first rock drawings were etched and when the first cave-pictures of bears and other animals were scratched out.

    Другой - понять Наивное искусство как не более и не менее, и оглянуться назад, в предысторию человечества, в то время, когда все искусство было того типа, который теперь можно считать наивным, – десятки тысяч лет назад, когда были высечены первые наскальные рисунки и когда были вычеркнуты первые пещерные изображения медведей и других животных.

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