Delhi has been widely described as a dry, energy draining place, even a hermaphrodite…the authors attempts in the book to prove otherwise. At first glance, his short, epigrammatic poems might appear just flaccid snapshots or single-boned vignettes of an outsider in a mad and sprawling metropolis known these days for its infamous gang rapes. But a closer look reveals how the poet steps back to withdraw his self into a cocoon, to gain an artistic poise and to empower each and every item, object, relic, monument and figure — a distinct voice and color. Lal Quila, Jantar Mantar, a flower girl, an auto rickshaw, Connaught Place, a house maid, Rahim, Jamun tree, Ghalib or Dara Shikoh walk with their first person personas in the lanes of Delhi conjuring a memorable recital, a jam that defines the essence of this legendary city…'Seduction of Delhi' is an artistic triumph in many ways…”
