bookmate game

Nick Hern Books

  • Breny Monzónhas quotedlast year
    In theatre, people come to you, or your characters. In TV, characters arrive in people’s living rooms, their kitchen tables, and are often even taken into bed with them! It’s a very intimate way of communicating with an audience and a privilege to experiment with.
  • Breny Monzónhas quotedlast year
    I have a horrible feeling I’m a greedy, perverted, selfish, apathetic, cynical, depraved, mannish-looking, morally bankrupt woman who can’t even call herself a feminist.
  • Mariana Aguilarhas quotedlast month
    new ways to put the audience in the centre of the experience.
  • Mariana Aguilarhas quotedlast month
    Each experiment illuminated little tricks of how to construct a satisfying story.
  • Mariana Aguilarhas quotedlast month
    How do you make an audience forgive a terrible crime?
  • Mariana Aguilarhas quotedlast month
    I was obsessively looking for ways to surprise the audience,
  • Mariana Aguilarhas quotedlast month
    In theatre, people come to you, or your characters. In TV, characters arrive in people’s living rooms,
  • Mariana Aguilarhas quotedlast month
    feel like they were having a personal relationship with Fleabag
  • Mariana Aguilarhas quotedlast month
    The power of comedy is astonishing to me
  • Daniela Castillohas quotedlast year
    There was one I was most intrigued by – ‘Funny/Not Funny: How do you make an audience laugh in one moment, then feel something completely and profoundly different in the next?’
    It was this tightrope that I wanted to walk with Fleabag. When we were developing it for the Edinburgh Fringe, I was obsessively looking for ways to surprise the audience, to sneak up on them just when they least expect it.
    I knew I wanted to write about a young, sex-obsessed, angry, dry-witted woman, but the main focus of the process was her direct relationship with her audience and how she tries to manipulate and amuse and shock them, moment to moment, until she eventually bares her soul.
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