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Gabrielle Zevin

Gabrielle Zevin is the New York Times Best Selling author of eight novels. For adults: The Storied Life of A.J. Fikry (2014), The Hole We’re In (2010), and Margarettown (2005). For young adults: Elsewhere (2005), Memoirs of a Teenage Amnesiac (2007), and the three books in the Anya Balanchine series, All These Things I’ve Done (2011), Because It Is My Blood (2012), and In the Age of Love and Chocolate (2013). Her books have been translated into over thirty languages.The Storied Life of A.J. Fikry has spent over four months on the New York Times Best Seller List, reached #1 on the National Indie Bestseller List, and has been a bestseller in multiple countries. The Toronto Globe and Mail called the book “a powerful novel about the power of novels."Her debut, Margarettown, was a selection of the Barnes & Noble Discover Great New Writers program. The Hole We’re In was a New York Times Editor’s Choice title. Publishers Weekly called The Hole We're In “a Corrections for our recessionary times.”Her best known young adult novel is Elsewhere, an American Library Association Notable Children’s Book. Of Elsewhere, the New York Times Book Review wrote, “Every so often a book comes along with a premise so fresh and arresting it seems to exist in a category all its own… Elsewhere, by Gabrielle Zevin, is such a book.”She is the screenwriter of Conversations with Other Women (Helena Bonham Carter, Aaron Eckhart) for which she received an Independent Spirit Award Nomination for Best First Screenplay. In 2009, she and director Hans Canosa adapted her novel Memoirs of a Teenage Amnesiac (ALA Best Books for Young Adults) into the Japanese film, Dareka ga Watashi ni Kiss wo Shita. She has also written for the New York Times Book Review and NPR’s All Things Considered. She began her writing career at age fourteen as a music critic for the Fort Lauderdale Sun-Sentinel.Zevin is a graduate of Harvard University. She lives in Los Angeles.
years of life: 24 October 1977 present

Quotes

Rishika Dembanihas quotedlast year
Sadie walked under the gates, one by one by one. At first, she felt nothing, but as she kept moving ahead, she began to feel an opening and a new spaciousness in her chest. She realized what a gate was: it was an indication that you had left one space and were entering another.

She walked through another gate.

It occurred to Sadie: She had thought after Ichigo that she would never fail again. She had thought she arrived. But life was always arriving. There was always another gate to pass through. (Until, of course, there wasn’t.)

She walked through another gate.

What was a gate anyway?

A doorway, she thought. A portal. The possibility of a different world. The possibility that you might walk through the door and reinvent yourself as something better than you had been before.

By the time she reached the end of the torii gate pathway, she felt resolved. Both Sides had failed, but it didn’t have to be the end. The game was one in a long line of spaces between gates.
Rishika Dembanihas quotedlast year
You are in the strawberry field.

You are dead.

A prompt comes up on the screen: Start game from the beginning?

Yes, you think. Why not? If you play again, you might win.

Suddenly, there you are, brand-new, feathers restored, bones unbroken, sanguine with fresh blood.

You are flying more slowly than last time, because you don’t want to miss any of it. The cows. The lavender. The woman humming Beethoven. The distant bees. The sad-faced man and the couple in the pond. The beat of your heart before you go onstage. The feel of a lace sleeve against your skin. Your mother singing Beatles songs to you, trying to sound like she’s from Liverpool. The first playthrough of Ichigo. The rooftop on Abbot Kinney. The taste of Sadie mixed with Hefeweizen beer. Sam’s round head in your hands. A thousand paper cranes. Yellow-tinted sunglasses. A perfect peach.

This world, you think.

You are flying over the strawberry field, but you know it’s a trap.

This time, you keep flying.
Inês de Sousahas quotedlast year
If this were a game, he could hit pause. He could restart, say different things, the right ones this time. He could search his inventory for the item that would make Sadie not leave.

Impressions

Arooma Zehrashared an impression2 years ago
🔮Hidden Depths
👍Worth reading

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