David Mizner

Hartsburg, USA

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Hartsburg, Ohio, is a vintage rust-belt town on the wane; the factories and foundries are closed. And as the local cineplex gives way to yet another fundamentalist church, an ideological turf war has begun. Oppressed by a dominant culture hostile to her values, born-again Christian mom Bevy Baer decides to run for a spot on the school board. Her plucky door-to-door campaign finds trouble when it runs into Wallace Cormier. A failed Hollywood screenwriter who has returned to his hometown to raise his daughter and churn out an uninspired newspaper column, Cormier fears that he's gone soft. When Bevy knocks on his door, he decides to fight for his town and his beliefs. But has he jumped in over his head? Signs are posted, debates scheduled, sausage-making contests endured…and then big-time political advisers get involved. Soon Cormier and Bevy find themselves in a passionate, nationally televised, tooth-and-nail battle that leaves voters wondering which candidate, if either, is on the side of the angels. It's red versus blue, Christian versus atheist, and the future of the country-or at least of one town and two families-seems to hang in the balance. Hartsburg, USA is at once absurd and utterly believable, a portrait of people on both sides of the American political divide, their stark differences and common humanity.
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431 printed pages
Publication year
2008
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Quotes

  • nathgenestehas quoted8 years ago
    IN 1991, ADDRESSING the languid, chewing crowd gathered to celebrate Hartsburg's 175th anniversary, Mayor Bob Sundstrom said, seemingly apropos of nothing, "Might as well cut my balls off and put a bell round my neck." People looked up from, or down at, their stuffed chicken breasts. What just happened? Was this some saying along the lines of "Well, tickle my toes and call me Louie"? Until now the speech had been suitably boring, no less so because he'd been speaking as if he were the town: "Hartsburg" had become "I," as in "I was born in 1817" and "My steel was used to make tanks that helped defeat the Nazis." So he was talking about cutting the town's balls off?

    In the back of the room, a man who'd just been put out of work by the closing of the town's last steel mill, said "Amen."

    Most people didn't understand that the mayor had been commenting on Hartsburg's status as a political bellwether, and most of those who did still didn't see what testicles had to do with it. Even the farmers in the audience, who got the joke—male sheep, wethers, were often castrated—couldn't summon a laugh for poor old Bob. It wasn't his fault that the town was dying—what's a mayor next to the exigencies of "free"trade?— but people tended to read civic significance into the age spots and booze veins on his forehead. Two years later to the day, Bob jumped off the bridge that linked Hartsburg's halves and ended up in a coma—a failure-to-fail failure whose metaphorical meaning was so obvious people barely bothered to comment on it. Bob had completed his transformation from human being into symbol. Few people had really known Bob, and no one went to visit him as he lay, half-dead, in the remotest corner of the nursing home. Out of sight, almost out of mind. But now, in the game show-bright ballroom of the Holiday Inn, he was in sight, on mind, and sweating terribly. "As I go," he said, still speaking as Hartsburg, "so goes the nation." People clapped. They clapped because they wanted to help Bob get through this and because most residents—at least most residents who went to events like this—were proud of the town's reputation as a trendsetter.
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