Stet, Diana Athill
Diana Athill

Stet

273 printed pages
For nearly five decades Diana Athill edited (nursed, coerced, coaxed) some of the most celebrated writers in the English language, among them V. S. Naipaul, Philip Roth, Mordecai Richler, and Norman Mailer. A founding editor of the prestigious publishing house André Deutsch Ltd., Athill takes us on a guided tour through the corridors of literary London, offering a keenly observed, devilishly funny, and always compassionate insider’s portrait of the glories and pitfalls of making books.
Stet is spiced with candid insights about the type of people who make brilliant writers and ingenious publishers, and the idiosyncrasies of both. It brims with Athill’s memories of serving as confidante, midwife, and sometime therapist to great literary figures: “Nobody who has read Jean Rhys’ first four novels can suppose that she was good at life; but no one who never met her could know how very bad she was at it”; “It was my job to listen to [Naipaul’s] unhappiness and do what I could to ease it—which would not have been too bad if there had been anything I could do.” Most of all it is Athill’s voice that captivates—intimate, lively, generous, humorous—the voice of a favorite aunt who is as warm and big-hearted as she is worldly and irreverent.
Packed with delights, Stet is about the world of books, about people who write them and the process of making them, a world dissected with sharp an irresistible honesty. It is an invaluable contribution to the world of literature.
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понравится тем, кто интересуется литературой и книгоизданием.

I believe the use of ‘f—’ was suggested; but ‘fuck’ and ‘fucking’ occurred so often that this would have made the dialogue look like fish-net, so ‘fug’ and ‘fugging’ were agreed as substitutes.
All this book is, is the story of one old ex-editor who imagines that she will feel a little less dead if a few people read it.
although I never went so far as to choose to do nothing, I did find it almost impossible to do anything I didn’t want to do
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