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Through the Language Glass: Why the World Looks Different in Other Languages, Guy Deutscher
Guy Deutscher

Through the Language Glass: Why the World Looks Different in Other Languages

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  • Eugene Kostarevhas quoted5 days ago
    rse.”

    A nation’s language, so we are often told, reflects its culture, psyche, and modes of thought.
  • Eugene Kostarevhas quoted5 days ago
    The Holy Roman Emperor Charles V, king of Spain, archduke of Austria, and master of several European tongues, professed to speaking “Spanish to God, Italian to women, French to men, and German to my horse.”
  • Eugene Kostarevhas quoted5 days ago
    “There are four tongues worthy of the world’s use,” says the Talmud: “Greek for song, Latin for war, Syriac for lamentation, and Hebrew for ordinary speech.”
  • Tarlan Asadlihas quoted5 years ago
    Your language will then simply reflect the fact that you think in the egocentric system anyway. On the other hand, if you are a nomad in the Australian bush, there are no roads or second left turnings after the traffic lights to guide you, so egocentric directions will be far less useful and you will naturally come to think in geographic coordinates. The way you then end up speaking about space will just be a symptom of the way you think anyway
  • Tarlan Asadlihas quoted5 years ago
    Kipling’s elephant got his long trunk because the crocodile pulled his nose until it stretched and stretched, and Ted Hughes’s lovelorn hare got his long, long
  • Tarlan Asadlihas quoted5 years ago
    But for the general public, Gladstone’s virtuoso Homerology was a subject of fascination and admiration
  • Tarlan Asadlihas quoted5 years ago
    Its three stout, door-stopping tomes of well over seventeen hundred pages sweep
  • ;has quoted5 years ago
    difficult to swing from one extreme position and settle directly in the middle, without first hurtling all the way to the opposite extreme.
  • ;has quoted6 years ago
    And experiments with humans have shown that exposure to red induces physiological effects such as increasing the electrical resistance of the skin, which is a measure of emotional arousal.
  • ;has quoted6 years ago
    The only thing that culture was free to chose, they said, was how many of these foci receive separate names (and what labels to give them, of course). Once a culture has decided on a number, nature takes care of all the rest: it dictates which foci will receive names, it dictates in which order, and it draws the rough boundaries around these foci according to a predetermined design.
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