Rachel Cusk

Outline: A Novel

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A luminous, powerful novel that establishes Rachel Cusk as one of the finest writers in the English language.

A man and a woman are seated next to each other on a plane. They get to talking — about their destination, their careers, their families. Grievances are aired, family tragedies discussed, marriages and divorces analyzed. An intimacy is established as two strangers contrast their own fictions about their lives.

Rachel Cusk’s Outline is a novel in ten conversations. Spare and stark, it follows a novelist teaching a course in creative writing during one oppressively hot summer in Athens. She leads her students in storytelling exercises. She meets other visiting writers for dinner and discourse. She goes swimming in the Ionian Sea with her neighbor from the plane. The people she encounters speak volubly about themselves: their fantasies, anxieties, pet theories, regrets, and longings. And through these disclosures, a portrait of the narrator is drawn by contrast, a portrait of a woman learning to face a great loss.

Outline takes a hard look at the things that are hardest to speak about. It brilliantly captures conversations, investigates people’s motivations for storytelling, and questions their ability to ever do so honestly or unselfishly. In doing so it bares the deepest impulses behind the craft of fiction writing. This is Rachel Cusk’s finest work yet, and one of the most startling, brilliant, original novels of recent years. Short-listed for the 2014 Goldsmiths Prize, nominated for the 2014 Folio Prize.
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206 printed pages
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Impressions

  • Ivana Lolashared an impression4 years ago
    🙈Lost On Me
    🌴Beach Bag Book

  • Derek Jarshared an impression4 years ago
    👍Worth reading
    💡Learnt A Lot
    🎯Worthwhile
    🌴Beach Bag Book
    🚀Unputdownable

Quotes

  • thewindupbirdhas quotedlast year
    She found herself wondering what it would be like to have sex with him, whether being so different they would disgust one another.
  • thewindupbirdhas quotedlast year
    ‘At this point,’ she said, ‘I stopped reading: for the first time, I felt that Lawrence was going to fail to transport me out of my own life. Perhaps it was the snow, or the strangeness of the woman, or the peacock itself, but suddenly I felt that these events, and the world he described, had nothing to do with me, here in my modern flat in the heat of Athens. For some reason I couldn’t bear it any longer, the feeling that I was the helpless passenger of his vision, so I closed the book,’ she said, ‘and I went to bed.’
  • thewindupbirdhas quotedlast year
    was an essay about Sons and Lovers by D. H. Lawrence, the book that has inspired me more than anything else in my life, and none of them had a single word to say about it.

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