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The Raven, and The Philosophy of Composition, Edgar Allan Poe
Books
Edgar Allan Poe

The Raven, and The Philosophy of Composition

Edgar Allan Poe's “The Raven, and The Philosophy of Composition” serves as an essential study of poetic form and aesthetics, framed within the haunting narrative of his iconic poem, “The Raven.” This work offers a rich exploration of the interplay between emotion and logic in poetry, showcasing Poe's mastery of language, rhythm, and meter. Through his detailed exegesis, Poe illuminates his deliberate compositional process, blending gothic elements and a melancholic tone characteristic of the Romantic era. The philosophical insights into the mechanics of creating an impactful poem underscore the work's significance in both literary analysis and creative practice. A pivotal figure in American literature, Edgar Allan Poe'Äôs experiences with loss, mental anguish, and a turbulent personal life profoundly influenced his writings. His fascination with themes of mortality, despair, and the supernatural is palpably evident in “The Raven,” a reflection of his own struggles and artistic aspirations. Poe'Äôs approach as a poet and critic provides readers with a unique window into the mind of a writer obsessed with perfection and the dark complexities of human emotions. This book is a must-read for those interested in the craft of poetry and the artistry behind composition. Whether you are an aspiring poet or a literary enthusiast, Poe'Äôs insights will inspire you to contemplate the intricate relationship between form and feeling, making “The Raven, and The Philosophy of Composition” a timeless addition to your literary collection.
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58 printed pages
Copyright owner
Bookwire
Original publication
2019
Publication year
2019
Publisher
Good Press
Have you already read it? How did you like it?
👍👎

Impressions

  • Ignat Petrenkoshared an impression6 years ago
    👍Worth reading
    💡Learnt A Lot
    💧Soppy

Quotes

  • Ignat Petrenkohas quoted6 years ago
    I pretend to no originality in either the rhythm or meter of “The Raven.” The former is trochaic—the latter is octameter acatalectic, alternating with heptameter catalectic repeated in the refrain of the fifth verse, and terminating with tetrameter catalectic
  • Ignat Petrenkohas quoted6 years ago
    for centuries, no man, in verse, has ever done, or ever seemed to think of doing, an original thing
  • Ignat Petrenkohas quoted6 years ago
    My first object (as usual) was originality.
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