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Iria Candela

Tate Introductions: Miró

Liza Savinahas quotedlast year
1969 for the exhibition Miró Otro (Other Miró) at the Association of Architects of Catalonia, Barcelona, where he painted a gigantic mural on the glass façade surrounding the building, which he voluntarily erased after the exhibition51,
Liza Savinahas quotedlast year
gigantic mural on the glass façade surrounding the building, which he voluntarily erased after the exhibition51,
Liza Savinahas quotedlast year
easel painting in order to produce collective art encouraged Miró to continue working on other murals (such as that commissioned by architect Walter Gropius for the Harvard Graduate Center)42 as well as experimenting with new
Liza Savinahas quotedlast year
he artist is a man who must go beyond the individualistic stage and struggle to reach the collective stage
Liza Savinahas quotedlast year
Breton wrote that Miró ‘may be considered the most surrealist among us’.
Liza Savinahas quotedlast year
‘I cannot understand – and consider it an insult – to be placed in the category of “abstract painters”…
Liza Savinahas quotedlast year
For Miró and the Surrealists, the notions of ‘mystery’ or ‘fantasy’ had no religious or metaphysical meanings.
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