This is obvious in the case of what Kant calls “empirical intuitions,” that is, immediate representations of particular objects involving sensation: when I have a sensory perception, or empirical intuition, of my copy of the Critique, it is because the particular object on my desk acts on me – by reflecting light waves that pass through the lenses of my glasses and eyes, and then stimulate my retinas, optic nerves, and so on – to put me into a certain mental state, namely, one in which it (at least) seems to me that there is a blue, rectangular object before me.