Alan Rusbridger
Play It Again: An Amateur Against The Impossible
Alan Rusbridger

Play It Again: An Amateur Against The Impossible

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The Guardian editor and amateur pianist’s account of a remarkable musical challenge during an extraordinary year for news.
As editor of the Guardian, one of the world’s foremost newspapers, Alan Rusbridger lives by the relentless twenty-four-hour news cycle. But increasingly in midlife, he feels the gravitational pull of music—especially the piano. He sets himself a formidable challenge: within a year, to fluently learn Chopin’s magnificent Ballade No. 1 in G minor, arguably one of the most difficult Romantic compositions in the repertory. With pyrotechnic passages that require feats of memory, dexterity, and power, the piece is one that causes alarm even in battle-hardened concert pianists.
Under ideal circumstances, this would have been a daunting task. But the particular year Rusbridger chooses turns out to be one of frenetic intensity, beginning with WikiLeaks’ massive dump of state secrets and ending with the Guardian’s revelations about widespread phone hacking at News of the World. “In between, there were the Japanese tsunami, the Arab Spring, the English riots . . . and the death of Osama Bin Laden,” writes Rusbridger. The test would be to “nibble out” twenty minutes per day to do something totally unrelated to these events.
Rusbridger’s subject is larger than any one piece of music: Play It Again deals with focus, discipline, and desire but is, above all, about the sanctity of one’s inner life in a world dominated by deadlines and distractions.
Praise for Play It Again
“An absorbing, adroitly crafted tale of humility, discipline and the sheer love of music . . . [Alan Rusbridger’s] triumph is an inspiration.” —Katie Hafner, The New York Times Book Review
“A unique mélange of political and musical reportage . . . [Alan Rusbridger] illuminates not only print media in this digital age but also the changing role of the music within.” —Iain Burnside, The Observer (London)
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555 printed pages
Original publication
2013
Publication year
2013
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Quotes

  • Анастасия Ландерhas quoted10 years ago
    The Fong way to play scales takes us from how to sit (‘I sit forward on the piano stool. If you sit right back on the stool you lose that ability to move’); tempo (‘Choose a tempo where you can keep the pulse and not hesitate. If you go too fast then you are simply practising being hesitant’); what we should be doing with our thumbs (‘Off the keyboard when I’m not using them. It’s easier to play legato like this’); the importance of thinking in terms of groups of notes (‘Like we group letters when we read a book’); the need to vary practice rhythms, and the necessity of regular practice (‘Three scales each week’).
  • Анастасия Ландерhas quoted10 years ago
    With a woodwind instrument you’re using your hands, tongue, lips, eyes, arms, ears, fingers, upper body and even feet as ways of producing sound, keeping time, signalling to others and merging into the lines, beats and washes of music around you. My daily twenty minutes is one thing: this weekend of shared music-making has been intense, life-enhancing, restorative.
  • Анастасия Ландерhas quoted10 years ago
    ‘You know the Death of Theatre,’ he says, ‘which has now been going on for 400 years? It’s been dying since it was born really, as we know. Always reaching out for youth and young people, which is great. But I wonder whether there aren’t experiences in people’s lives that happen later. I don’t think I ever went to the theatre in my 20s. I certainly didn’t go to any concerts. Perhaps it’s just part of growing up – well, you’re not growing up, but growing older. I mean, you kind of – I just – need something, I just need something.’
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