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Walter Benjamin

Walter Bendix Schönflies Benjamin was a German-Jewish Marxist literary critic, essayist, translator, and philosopher. He was at times associated with the Frankfurt School of critical theory and was also greatly inspired by the Marxism of Bertolt Brecht and Jewish mysticism as presented by Gershom Scholem.As a sociological and cultural critic, Benjamin combined ideas drawn from historical materialism, German idealism, and Jewish mysticism in a body of work which was a novel contribution to western philosophy, Marxism, and aesthetic theory. As a literary scholar, he translated the Tableaux Parisiens edition of Baudelaire's Les Fleurs du mal as well as Proust's In Search of Lost Time. His work is widely cited in academic and literary studies, in particular his essays The Task of the Translator and The Work of Art in the Age of Mechanical Reproduction. Influenced by Bachofen, Benjamin gave the name "auratic perception" to the aesthetic faculty through which civilization would recover a lost appreciation of myth.

Quotes

Said Sadikhovhas quoted2 years ago
“Quotations in my works are like robbers by the roadside who make an armed attack and relieve an idler of his convictions” (Schriften I, 571).
Said Sadikhovhas quoted2 years ago
This discovery of the modern function of quotations, according to Benjamin, who exemplified it by Karl Kraus, was born out of despair—not the despair of a past that refuses “to throw its light on the future” and lets the human mind “wander in darkness” as in Tocqueville, but out of the despair of the present and the desire to destroy it; hence their power is “not the strength to preserve but to cleanse, to tear out of context, to destroy” (Schriften II, 192).
Said Sadikhovhas quoted2 years ago
Still, the discoverers and lovers of this destructive power originally were inspired by an entirely different intention, the intention to preserve; and only because they did not let themselves be fooled by the professional “preservers” all around them did they finally discover that the destructive power of quotations was “the only one which still contains the hope that something from this period will survive—for no other reason than that it was torn out of it.” In this form of “thought fragments,” quotations have the double task of interrupting the flow of the presentation with “transcendent force” (Schriften I, 142–43) and at the same time of concentrating within themselves that which is presented. As to their weight in Benjamin’s writings, quotations are comparable only to the very dissimilar Biblical citations which so often replace the immanent consistency of argumentation in medieval treatises.
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