Phyllis Chesler

nuestra supuesta formación profesional se limitaba a repetir y profesionalizar de forma errónea nuestra educación cultural previa.

Mari Nana-Ama Danquah, en Willow Weep for Me: A Black Woman’s Journey Through Depression (1999); Carol Hebald, con The Heart Too Long Suppressed (2001); Ruth Kline, con It Coulda Been Worse: Surviving a Lifetime of Abuse and Mental Illness (2003); Welcome, Silence: My Triumph Over Schizophrenia, de la psiquiatra Carol North (1987); Sickened: The Memoir of a Munchausen by Proxy Childhood, de Julie Gregory (2003); y Get Me Out of Here: My Recovery from Borderline Personality Disorder, de Rachel Reiland (2004).

Girl, Interrupted, de Susannah Kaysen (1993); A Bright Red Scream: Self-Mutilation and the Language of Pain, de Marilee Strong (1998); Skin Game. A Memoir, de Carolyn Kettlewell (2000); y Nación Prozac (1994)* y More, Now, Again: A Memoir of Addiction, de Elizabeth Wurtzel (2001).