Podcast: The Kitchen Sisters Present

It is Tuesday, November 5, 2024, the day when millions of Americans go to the polls to vote for who will lead their towns, their states, the nation. Souls to the polls today across the country, and so much hangs in the balance.

On this fraught and tender Tuesday, when all our nerves are frayed, we offer a moment of respite and contemplation — an episode of the podcast Constellation Prize from radio producer and filmmaker Bianca Giaever, featuring writer, poet and activist Terry Tempest Williams.

Constellation Prize is a podcast from The Believer Magazine. This story is Episode 1 of a 4 part series. You can hear the whole Nightwalking series and more episodes of Constellation Prize wherever you find your podcasts.

Our thanks to Bianca, The Believer, and the poet laureate of nightwalking, Terry Tempest Williams, for allowing us to share this story.

The music in Nightwalking is by Ishmael Ensemble, John Carroll Kirby and Elori Saxl. Our theme music is "Day of the Dead" by Ted Savarese.

We’re dropping this podcast on Tuesday, November 5. If you’re hearing it today and haven’t already voted we hope you’re headed to the polls for a little night voting.

The Kitchen Sisters Present... is part of Radiotopia from PRX, a network of independent podcasts that widen your world.

Thanks for listening.

July 17, 2024, Washington, D.C. Some 200 young people from across the nation aged 14-19 — aspiring poets, storytellers, MC's, activists — are gathered in the nation’s capital for the 29th annual Brave New Voices Festival — four non-stop days of slam poetry competition, coaching, workshops, late-night freestyling and in 2024, voting information.

In summer, as the election loomed larger and larger we decided to turn our microphone to young people across America to hear their thoughts and feelings about the nation, about voting, about the election. Everyone always says young people are the future. But the truth is they are the present. And it is all on their plate.

The Kitchen Sisters and producer Bianca Giaever traveled to the Brave New Voices Festival to take in the poets and their poetry, to listen and take the pulse of the moment. The hope, the scope, the vote.

On July 21, the day after the festival ended, President Biden dropped out of the race. Keep that in mind as you listen.

The Hope & The Scope was produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) and Bianca Giaever and mixed by Jim McKee. In collaboration with Nathan Dalton and Brandi Howell.

Funding for The Hope & the Scope comes from The Robert Sillins Family Foundation, Susan Sillins & The Buenas Obras Fund.

Special thanks to all the poets, the teams, the coaches, to the fabulous Future Corps 2024 and to all the staff, volunteers and radiant community of Brave New Voices. And to all we interviewed at the festival.

Very special thanks to Youth Speaks, trailblazers of local and national youth poetry slams, festivals, mentoring, youth education and development — creators of the Brave New Voices Festival. Deep bow to Executive Director Michelle Mush Lee, Communications Director Bijou McDaniel, Stephanie Cajina, Joan Osato, James Kass, to Paige Goedkoop, Jamie DeWolf and Pawn Shop Productions and especially to Bianca Giaever who joined us in Washington, D.C. and came with her mic blazing.

The Kitchen Sisters Present... is part of Radiotopia from PRX, a network of independent, thought-provoking, deeply-produced, highly-entertaining podcasts that widen your world.

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Today, The Kitchen Sisters Present: “Tupperware” — an homage and a eulogy.It was 1980. Nikki and I had just met. We had just named ourselves The Kitchen Sisters. And we had just bought our first cassette recorder, a Sony TC-D5M. We hadn’t even taken it out of the box or been trained on it when we were invited to a Tupperware party our friend Kirsten was hosting. This was 1980 in Santa Cruz, a stronghold of the women’s movement. You just didn’t get invited to too many Tupperware parties back then.It seemed the perfect moment to break out the Sony and tape the party. The party was such a bonanza of story and plastic we went to another and taped that too. This time the Tupperware lady invited us and our new tape recorder to Tupperware headquarters in Salinas where Tupperware ladies were trained and where sales rallies were held.  We went back to the studio at our local community radio station with a ton of tape and no real idea of what to do with it. These were analog days, days of cassettes and reel-to-reels, of razor blades and splicing tape.The story you’re about to hear includes every mistake in the book. We mixed using two reel-to-reel tape recorders, two cassette recorders running through a mixing board we had no real idea how to use, onto a third reel-to-reel. We also had no idea you could splice takes of the mix together, we thought you had to do one complete running mix of the whole thing from start to finish. It probably took us 50 takes to do it. Nikki thinks this is Take 47, when all the levels were up at the same time and the sound started cascading and coming out of every machine at once, all at full volume. But out of that cacophony came our signature sound, a way of telling stories that holds with us to this day.  Tupperware. What began shortly after World War II as a use for the plastic resins invented for the war, was sold like Avon lipstick using direct sales and home parties, gave generations of women a chance to make their own money outside the home and kept our leftovers fresh, filed for Chapter 11 bankruptcy on September 17, 2024.  Mergers and acquisitions, fewer parties and get togethers during covid, changes in the culture of selling, the work opportunities available to women, concerns about the eco-disaster that is plastic — so many factors seem to have been part of this collapse.   Tupperware shuttered its only remaining plant in the United States in South Carolina this year, resulting in 148 layoffs.  The plastic is no longer fantastic. Today on the podcast, the third story The Kitchen Sisters ever produced for NPR, “Tupperware.”

As elections loom, we need to get involved, step up to the civic plate, take part in discourse. And that’s what Manny Yekutiel has been driven to do since 2018. He’s created a community-focused meeting place in San Francisco — a gathering space for people to watch presidential debates, meet people working on the front lines of social change, and discuss issues with policy makers in person. From community forums debating the new trash can designs in San Francisco, to town hall meetings with political candidates for the Senate and the Presidency, Manny’s is a place to commune, listen, and be heard.They’ve got a restaurant — Farming Hope, a non-profit that hires formerly homeless and formerly incarcerated individuals and trains them in the food skills needed to work in the restaurant industry. They’ve got a bookstore specializing in local history and politics — with no pressure to buy books.As church basements and social clubs fade as places where young people feel comfortable gathering, Manny has created a place — not home, not work — but a "third place" where people can come together to meet and engage with civic leaders, elected officials, artists, and activists.Thanks to Precious Green and to the staff of Farming Hope. Thanks also to Valerie Velardi who led us to Manny’s, and to Manny Yekutiel for the time and the vision.The Kitchen Sisters Present is part of the Radiotopia from PRX, a network of hand-crafted, independent, vibrant podcasts that widen your world.

There was a moment at the 2024 Democratic National Convention when Oprah took the stage — and the crowd went wild. She spoke boldly about Kamala Harris and her place in a long line of strong Black women who have paved the way. At one point she veered into the story of Tessie Prevost Williams, who recently passed away,  and the New Orleans Four.November 14, 1960 — Four six-year-old girls— Leona Tate, Gail Etienne, Tessie Prevost and Ruby Bridges—flanked by Federal Marshals, walked through screaming crowds and policemen on horseback as they approached their new schools for the first time. Leona Tate thought it must be Mardi Gras. Gail thought they were going to kill her. Tessie Prevost's mother was scared to death handing over her daughter to a Federal Marshal for protection from the mob.Four years after the Supreme Court ruled to desegregate schools in Brown v. Board of Education, schools in the South were dragging their feet. Finally, in 1960, the NAACP and a daring judge selected two schools in New Orleans to push forward with integration — McDonogh No.19 Elementary and William Frantz.An application was put in the paper. From 135 families, four girls were selected. They were given psychological tests. Their families were prepared. Members of the Louisiana Legislature took out paid advertisements in the local paper encouraging parents to boycott the schools. There were threats of violence.When the girls going to McDonogh No.19 arrived in their classroom, the white children began to disappear. One by one their parents took them out of school. For a year and a half the girls were the only children in the school. Guarded night and day, they were not allowed to play outdoors. The windows were covered with brown paper.Since this story first aired in 2017, The Leona Tate Foundation for Social Change has created the TEP Interpretive Center (Tate, Etienne and Prevost Center) in the former McDonogh No. 19 school where the three girls broke the color barrier in 1960. Its mission is to engage visitors in the history of civil rights in New Orleans. Find out more at tepcenter.orgSpecial thanks to: The New Orleans Four: Leona Tate, Gail Etienne, Tessie Prevost Williams and Ruby Bridges. Retired Deputy US Marshalls Charlie Burke, Herschel Garner, and Al Butler. Tulane University. Louisiana Endowment for the Humanities, Louisiana Center for Civil Rights and Social Justice, The US Marshals Museum.We are especially grateful to Keith Plessy and Phoebe Fergusson for introducing us to this story, and to Brenda Square and Amistad Research Center History Department.   The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. We're part of the Radiotopia Network from PRX.

On the night of Summer Solstice 1986, Larry Harvey and Jerry James built and burned an eight-foot wooden figure on San Francisco's Baker Beach surrounded by a handful of friends. Burning Man was born.This summer, the 39th annual Burning Man gathering begins to assemble on a vast dry lake bed in Nevada's Black Rock Desert, the nomadic ritual's home since 1990. An estimated 80,000 people will come.During production of our Keepers series, chronicling activist archivists, rogue librarians and keepers of the culture and free flow of information, we received this message on the Keepers Hotline:"Hello Kitchen Sisters, I am a rogue archivist, the archivist for Burning Man. Come to Burning Man headquarters and I’ll show you the collection. Cheers.” —LadyBee, Archivist & Art Collection Manager, Burning ManHow do you archive an event when one of it's driving principles is "leave no trace," where The Burning Man is in fact burned? What is being kept and who is keeping it? We journey into the archives of this legendary gathering to find out.Produced by The Kitchen Sisters with Nathan Dalton and Brandi Howell, mixed by Jim McKee.

In honor of the Paris Olympics and the astounding contribution of the French to culture and art of the world, The Kitchen Sisters Present, Archive Fever: Henri Langlois and the history of the Cinémathèque Française, featuring Francis Ford Coppola, Wim Wenders, Tom Luddy, Lotte Eisner, Simone Signoret, Agnes Varda, Costa-Gavras, Barbet Schroeder.Henri Langlois never made a single film — but he's considered one of the most important figures in the history of filmmaking. Possessed by what French philosopher Jacques Derrida called "archive fever," Langlois began obsessively collecting films in the 1930s and by the outset of World War II, he had one of the largest film collections in the world. The archive's impact on the history of French cinema is legendary, as is the legacy of its controversial keeper.Langlois fell in love with film in his teens, just as silent films were being replaced by talkies. "In the early 30s they were destroying every silent movie," says film director Costa-Gavras, now president of Langlois' Cinémathèque Française. "He started collecting all those movies, not just to save them for the future, but to show them.""Langlois educated a whole generation of film archivists and filmmakers," says filmmaker Wim Wenders. "He spread the idea of saving the memory of mankind that is in the history of cinema."This story is part of The Keepers series — Activist archivists, rogue librarians, historians, collectors, curators — keepers of the culture and the free flow of information. Produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. Mixed by Jim McKee.

San Francisco officially declared July 15th Linda Ronstadt Day. In her honor, The Kitchen Sisters Present this story about her book, Feels Like Home, about her family, and the food, culture and music of the borderland of Arizona and Mexico where she is rooted.  Feels Like Home: A Song for the Sonoran Borderlands is an historical, musical, edible memoir that spans the story of five generations of Linda’s Mexican American German family, from the Sonoran desert in Mexico to the Ronstadt family hardware store in Tucson to the road that led Linda to LA and musical stardom. Intimate and epic, "this is little Linda, Mexican Linda, cowgirl Linda, desert Linda."The book, written in collaboration with New York Times writer Lawrence Downes, is a road trip through the Sonoran Borderlands, from Tucson to Banámichi, Mexico — the path Linda’s immigrant grandfather took at a time when the border was not a place of peril but of possibility.We went to see Linda at home to ask her about the journey.This story was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) and Evan Jacoby in collaboration with Brandi Howell and Nathan Dalton. Mixed by Jim McKeeThanks to Lawrence Downes, John Boylan, Bill Steen, Janet Stark and The PRX Podcast Garage. And to the team at Heyday Books: Steve Wasserman, Kalie Caetano & Megan Beatie and to Putamayo Music who just released Feels Like Home: Songs From The Sonoran Borderlands, Linda Ronstadt’s Musical Odyssey.Special thanks to Linda Ronstadt for opening her home and her vault to this story.

Route 66—The Main Street of America— the first continuously paved highway linking east and west was the most traveled and well known road in the US for almost fifty years. From Chicago, through the Ozarks, across Oklahoma, the Texas Panhandle, up the mesas of New Mexico and Arizona, and down into California to the Pacific Ocean. The first road of its kind, it came to represent America’s mobility and freedom—inspiring countless stories, songs, and even a TV show.Songwriter Bobby Troup tells the story of his 1946 hit “Get Your Kicks on Route 66.” Mickey Mantle says, “If it hadn’t been for US 66 I wouldn’t have been a Yankee.” Stirling Silliphant, creator of the TV series “Route 66” talks about the program and its place in American folklore of the 60s.Studs Terkel reads from The Grapes of Wrath about the "Mother Road," and the great 1930s migration along Highway 66. We hear from musicians who recall what life on the road during the 1930s was like for them, including Clarence Love, Woody Guthrie, and Eldin Shamblin, who played guitar for Bob Wills and his Texas Playboys.We travel the history of the road from its beginnings through caverns and roadside attractions, into tourist traps and bunko joints, through the hard times of the Dust Bowl, Depression and the “Road of Flight,” and into the “Ghost Road” of the 1980s, as the interstates bypass the businesses and roadside attractions of another era.Produced by The Kitchen Sisters and narrated by actor David Selby. The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. Part of Radiotopia from PRX, a curated network of podcasts created by independent producers.

In 1977, a cavernous, rarely used sculpture gallery in the Brooklyn Museum was filled with drafting tables, their tops tilted to display collages of the work and under-told stories of women working in architecture in the United States.We revisit this first significant effort to publicly tell the little known stories of American women in architecture: “Women in American Architecture: A Historic and Contemporary Perspective.” On view at the Brooklyn Museum from February-April of 1977, the groundbreaking exhibition and simultaneous book, curated and edited by Susana Torre, clearly defined the state of play for women in the architecture profession. Alienated by the profound hostility expressed by the AIA, women architects came together and found an accepting cohort at the Architectural League of New York. They organized. They canvassed. They raised their consciousnesses. The project team identified subjects so previously obscured as to be unknown, and then with the energy and drive of a furious mob, they broke through and laid the groundwork for scholarship, social change, and recognition of women architects for the next fifty years.  Produced by Brandi Howell, for the Beverly Willis Architecture Foundation's podcast New Angle Voice.Special thanks to Susana Torre, Andrea Merrett, Suzanne Stephens, Cynthia Rock, Deborah Nevins, and Robert AM Stern. Editorial advising from Alexandra Lange and production assistance from Virginia Eskridge and Aislinn McNamara. Funding from the National Endowment for the Humanities, the National Endowment for the Arts, and the Graham Foundation.The Kitchen Sisters Present, part of PRX's Radiotopia network, is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. For more stories and information visit kitchensisters.org.

As this year's hurricane season ramps up, we go to New Orleans for a kind of biblical reckoning. A story of science and prayer, with a cast of improbable partners—environmental architects and nuns—coming together to create a vision for living with water in New Orleans. Mirabeau Water Garden, one of the largest urban wetlands in the country designed to educate, inspire and to save its neighborhood from flooding.New Orleans. Surrounded by The Mississippi River and Lake Pontchartrain, besieged by hurricanes and tropical storms, permeated with man made canals, levees, pumping stations …. Water is a deep and controversial issue in New Orleans. What to do with it? Where to put it? How to get rid of it? How to live with it?David Waggonner, of Waggonner & Ball architecture and environment firm has been thinking and dreaming about these questions for years. One of the primary architects behind the Greater New Orleans Urban Water Plan, David envisions floating streets, pervious pavement, planting bioswales—“living with water” rather than pushing it down and pumping it out.In the aftermath of Hurricane Katrina the Sisters of Saint Joseph convent in New Orleans was under eight feet of water. A year later, on a clear blue day, the building was struck by lightning. The Sisters prayed for a sign. And in walked David Waggonner with a vision.The Mirabeau Water Garden will become one of the largest urban wetlands in the country and a campus for water research and environmental education, demonstrating best practices for construction and urban water management in the city's lowest-lying and most vulnerable neighborhoods.The 25-acre parcel was donated to the City of New Orleans by the Sisters of Saint Joseph on condition that it be used to enhance and protect the neighborhood to “evoke a huge systemic shift in the way humans relate with water and land.”Produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton & Brandi Howell. For more stories and information visit kitchensisters.org

On February 16, 2024 Russian dissident Alexei Navalny died under unexplained circumstances in a penal colony in the Russian Arctic just weeks before the election that enthroned Vladimir Putin for another six years of near-absolute power. Within days of Navalny’s death his wife Yulia Navalnaya rose up, spoke out and vowed to continue her husband’s struggle. A decade ago The Kitchen Sisters were in Moscow reporting for our NPR series Hidden Kitchens: War and Peace and Food. We were at lunch with writer, television journalist and government critic, Victor Erofeyev and asked what his hidden kitchen was. “Dissident Kitchens,” he said. “The Soviet Union fell apart because of the kitchen.” We started digging. After the Russian Revolution of 1917, millions of people poured into Moscow from the countryside, many living crammed together in the appropriated grand apartments of the wealthy — a single, communal kitchen shared by the ten or so families squeezed together under one roof. Spaces were crowded, food scarce, privacy nonexistent. After Stalin’s death in 1953, Nikita Khrushchev came to power. His new Soviet government built hundreds of huge standardized apartment buildings with single family units, each with their own kitchen. These new, private kitchens became hotbeds of politics, forbidden music, literature – "dissident kitchens" where the seeds of ending the Soviet Union were sewn. Just as Victor Erofeyev told us over lunch. Today, in honor of Alexei Navalny and in honor of Victor Erofeyev, who fled Russia with his family after the invasion of Ukraine, The Kitchen Sisters Present: Dissident Kitchens.

On April 12, 2024, Eleanor Coppola, artist, filmmaker, mother and wife of director Francis Ford Coppola, died at her home in the Napa Valley surrounded by family. She was 87 years old and had lived a most remarkable life.Shortly before her death, Eleanor had completed her third memoir. In it she wrote:“I appreciate how my unexpected life has stretched and pulled me in so many extraordinary ways and taken me in a multitude of directions beyond my wildest imaginings.”On May 6, 2008, on the occasion of the release of her second memoir, Notes on a Life, Eleanor and Davia sat down together at The Commonwealth Club of California and had this conversation before a live audience.Our thanks to The Commonwealth Club of California for sharing this 2008 recording. This conversation was part of their Good Lit Series, underwritten by the Bernard Osher Foundation.The Kitchen Sisters' San Francisco studio is located in Francis and Eleanor's Zoetrope building in North Beach. Ellie has been a part of our lives since the day we came here some three decades ago. Our love goes to the many generations of the Coppola family.

Over the years, The Kitchen Sisters have zeroed in on Memphis, Tennessee in a big way. The inspiration for that and the inspiration for some of our favorite stories is Knox Phillips. Davia met Knox in 1997 in Memphis when she was doing casting for Francis Ford Coppola’s film The Rainmaker. She was on the set standing next to a guy. Cool hair, great smile. During the long set up between takes they started talking. About Memphis, about music, about radio. She told him about a new series we were starting to produce for NPR — Lost & Found Sound. Stories about sonic pioneers and people possessed by sound. The guy with the cool hair listens. “Girl, I think you better come over to the house and meet my parents. My dad, Sam, started the Memphis Recording Service and Sun Records. He recorded Elvis Presley, Johnny Cash, Jerry Lee Lewis, Roy Orbison, Howlin’ Wolf.... When he sold Elvis’ contract he and my mother, Becky, used the money to start the first all-girl radio station in the nation, WHER: 1000 Beautiful Watts.”Nikki was on a plane to Memphis the next day and we drove to the Phillips family house that night. Knox, Sam, Becky and Sam’s girlfriend Sally were all there and the stories started pouring out. We walked in at 7:00 and left after midnight, recording the whole time. Those interviews became the basis of some of the most groundbreaking Kitchen Sisters pieces. Knox Phillips — producer, promoter of Memphis music, Keeper of his family's legacy, died in April 2020, right at the beginning of the pandemic, and never really got his due. His massive spirit, love and music live on.

In 1898, the United States Department of Agriculture created a special department of men, called “Agriculture Explorers,” to travel the globe searching for new food crops to bring back for farmers to grow in the U.S. These men introduced exotic specimens like the mango, the avocado, and the date. In 1900, the USDA sent plant explorer, Walter Swingle, to Algeria to study the date. As Swingle took temperature readings and soil temperature, he realized that the conditions were very much like those in California’s hot, arid Coachella Valley, sometimes referred to as the American Sahara. In order to market this new fruit and promote the region, date growers in the Coachella Valley began capitalizing on the exotic imagery and fantasy many Americans associated with the Middle East. In the 1950s date shops dotted the highway, attracting tourists. There was Pyramid Date shop where you could purchase your dates in a pyramid. Sniff’s Exotic Date Garden set up a tent like those used by nomadic tribes of the Sahara. One of the most well-known date shops, which still exists today, is Shields Date Garden, established in 1924. Floyd Shields lured in customers with his lecture and slide show titled, “The Romance and Sex Life of the Date.”

This story was produced in collaboration with Lisa Morehouse.

Niloufer Ichaporia King lives in a house with three kitchens. She prowls through six farmer’s markets a week in search of unusual greens, roots, seeds, and traditional food plants from every immigrant culture. She is an anthropologist, a kitchen botanist, a one-of-a-kind cook, a Parsi from Bombay living in San Francisco, and the author of My Bombay Kitchen: Traditional and Modern Parsi Home Cooking.

Niloufer is known for her ritual celebrations of Navroz, Parsi New Year, on the first day of Spring, when she creates an elaborate ceremonial meal based on the auspicious foods and traditions of her vanishing culture. The Parsi culture is some 3,000 years old and goes back from India to Persia. It’s estimated that there are now under 100,000 Parsis in the world.

Also featured in this Hidden Kitchens story are author Bharati Mukherjee, sharing her memories of the forbidden Bengali kitchen of her girlhood, with its four cooks and intricate rules of food preparation. And Harvard Professor Homi Bhabha, born in Mumbai to a Parsi family, who talks about auspicious lentils and the birth of his son.

The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. We are part of Radiotopia from PRX, a curated network created specifically for independent podcasts—some of the best stories out there.

Special thanks to the National Endowment for the Arts, the National Endowment for the Humanities, and contributors to the non profit Kitchen Sisters Productions .

Little known stories of pioneering architects — Julia Morgan, the first accredited female architect in California, who designed Hearst Castle and was nearly written out of the history books. Natalie de Blois, who helped imagine the first glass skyscrapers on Park Avenue by day and raised four children by night. Amaza Lee Meredith, a Black queer modernist architect from the 1930s South who helped establish Sag Harbor as a haven for Black intellectuals, artists and beachcombers.

A new special from The Kitchen Sisters, the Beverly Willis Architecture Foundation and PRX, hosted by Academy Award-winning actress Frances McDormand.

Story production by Brandi Howell for the Beverly Willis Architecture Foundation’s podcast, New Angle: Voice, in association with The Kitchen Sisters (Davia Nelson & Nikki Silva), mixed by Jim McKee.

A look at the President’s kitchen and some of the first cooks to feed the Founding Fathers—Hercules and James Hemings—the enslaved chefs of George Washington and Thomas Jefferson.

Hercules, described as a “dandy,” had eight assistants—stewards, butlers, undercooks, waiters. He cooked in a huge fireplace—hearth cooking. He walked through the streets of Philadelphia in a velvet waistcoat, with a gold-handled cane. When Washington was getting ready to leave Philadelphia to return to Mt. Vernon, Hercules escaped. Washington sent out search parties and offered rewards. Hercules was never found.

In 1784, Thomas Jefferson was appointed minister to France. He took with him his body servant, 19-year-old James Hemings (the brother of Sally Hemings), to master the French style of cooking. Hemings apprenticed with well-known French caterers and pastry chefs and assumed the role of chef de cuisine in Jefferson’s kitchen on the Champs-Elysees, earning $48 a year. In 1793, Hemings petitioned Jefferson for his freedom. Jefferson consented upon one condition—he must train someone to take his place. After teaching his brother, Peter Hemings, the cooking techniques he had learned in France and at home, James Hemings became a free man.

These stories begin a long connection of presidents and their African American cooks, including the story of Zephyr Wright, President Lyndon Johnson’s cook who worked for the family for 27 years. Johnson spoke to Zephyr Wright about the Civil Rights Movement and the March on Washington. She attended the signing of the Civil Rights Act of 1964 and Johnson gave her a pen he used to sign the document.

Featuring interviews with: Jessica Harris, Culinary Historian and author of The Welcome Table: African American Heritage Cooking; Historian Willliam Seale, author of The President’s House; Chef Joe Randall, founder of African American Chef’s Hall of Fame; William Woys Weaver, food historian and author; Sharron Conrad, African American food historian. Special thanks to the Lyndon Baines Johnson Library and Museum and Michael L. Gillette for use of Zephyr Wright’s oral history.

The Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) and Nathan Dalton and Brandi Howell. Part of Radiotopia from PRX, a curated network of podcasts created and owned by independent producers.

Jelly Roll Morton talks of being a “Spy Boy” in the Mardi Gras Indian parades of his youth. Bo Dollis, of the Wild Magnolias, tells of sewing his suit of feathers and beads all night long. Tootie Montana masks for the first time as Mardi Gras starts up again after World War II. Big Queen Ausettua makes connections between the black Mardi Gras Indian traditions of New Orleans and Africa. Sister Alison McCrary, a Catholic nun and social justice attorney, tells of Big Chief Tootie Montana’s death at the podium in city council chambers defending the rights of the Mardi Gras Indians to parade without harassment.

A collection of stories and interviews in honor of the Mardi Gras Indian tradition in New Orleans. With special thanks and a shout out to all of the “Keepers” who have documented, preserved and shared these stories, including the Folklife Center Collection at the Library of Congress, Nick Spitzer and American Routes, filmmaker Lisa Katzman, and WWOZ in New Orleans.

The Kitchen Sisters Present is part of PRX’s Radiotopia network and is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson), with Nathan Dalton and Brandi Howell.

Sarah “Sally” Pillsbury and Jean B. Fletcher were both architects who married architects. The two women and their husbands were founding members of The Architects Collaborative (TAC), a visionary, idealistic architecture firm founded just after WWII.

The two women, who had 13 children between them, lived with their families and several other founding partners in Six Moon Hill, a residential community in Lexington, Massachusetts, designed by the group.

TAC was a world class firm of eight architects, including famed architect Walter Gropius, working collectively as a team, stressing anonymity of design. The group won design awards and competitions, and was hired by the National Institute of Architects to design their new headquarters.They also designed the Harvard Graduate Center, many civic and educational buildings, and the University of Baghdad.

Soon after the founding of the firm in 1947, Sarah and Jean wrote an article for House & Garden titled “Architecture, Family Style” which – as their biographer Michael Kubo writes – constituted something of a manifesto for the changing needs of the postwar housewife.

Produced by Brandi Howell for Beverly Willis Architecture Foundation’s podcast New Angle: Voice with host Cynthia Krakauer. Editorial advising from Alexandra Lange.  Production assistants Virginia Eskridge and Aislinn McNamara.

Special thanks to Sara Harkness and Joseph Fletcher, Michael Kubo and Amanda Kolson Hurley.  Current Six Moon Hill residents Linda Pagani and Barbara Katzenberg kindly opened their homes and shared their stories.  Long time TAC  partners Perry Neubauer and Gail Flynn were generous with their time as were Andrea Leers and Jane Weinzapfel.  The archival oral history of Sally Harkness comes from her interview with Wendy Cox.

Funding for New Angle: Voice comes from National Endowment for the Humanities, the National Endowment for the Arts, and the Graham Foundation.

The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Brandi Howell and Nathan Dalton. Supported by the National Endowment for the Arts and contributors to the non profit Kitchen Sisters Productions.

The Kitchen Sisters Present is part of Radiotopia from PRX, a curated network of podcasts created by independent producers.