The veteran negotiators Hussein Agha and Robert Malley spent decades trying to broker peace in the Israeli-Palestinian conflict, and they know why it failed.
Wilco’s front man on his forthcoming solo record—a triple album, but “whittled down from five,” as he tells Amanda Petrusich. “I’ve made single records that feel longer.”
Vogue is almost synonymous with its longtime editor, Anna Wintour. She talks with David Remnick about choosing Chloe Malle as her successor, and how fashion changed under her tutelage.
Adam Gopnik discusses the Administration’s moves to dictate what is acceptable and unacceptable in American culture, and why pluralism remains essential to democracy.
Evan Osnos speaks with Wired’s Katie Drummond about the hype around artificial intelligence, and what tech moguls learned from Elon Musk’s tenure in the White House.
The reporter Mohammed R. Mhawish was targeted in an Israeli air strike. He lived, and escaped Gaza. He continues to report on the deprivation and challenges of people trapped in the war.
The director and the actor discuss their latest collaboration, nineteen years after their previous film together. “Time flies!,” Lee says. “I didn’t know it had been that long.”
Jeannie Suk Gersen and Ruth Marcus, who write about the law for The New Yorker, address listeners’ pressing questions about the Trump Administration’s legal controversies.
The celebrated writer discusses how she found her unique voice, and a new collection of her writings that begins with her first published piece in The New Yorker.
Rapid changes in technology are rendering American supremacy in highly advanced, expensive weapons a thing of the past. Can the military adapt in time for the next conflict?
Elected in part on a promise to address the housing crisis, Bass faces a different crisis: a federal “seizure” of Los Angeles, and an Administration fixated on mass deportation.
Ari Aster’s neo-noir Western involves a gun-toting sheriff, COVID, the George Floyd protests, and a mysterious A.I. data center. The writer-director talks with Adam Howard.
Brownstein, of Sleater-Kinney and “Portlandia,” on Richard Avedon’s 2003 iconic photo of a young rocker. Plus, The New Yorker’s Critics at Large on Lena Dunham’s new show and more.
The former chair of the Federal Reserve on the budget, and Donald Trump’s fixation on low interest rates. And, Susan B. Glasser on the political implications of the “Big Beautiful Bill.”