Maggie Price

Painting with Pastels

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Come enjoy the art of pastel painting with beloved workshop instructor Maggie Price. In this step-by-step guide, she teaches you everything you need to know to make the most of this accessible art form. From selecting the right materials to learning the fundamentals of composition, Maggie starts with the basics and progresses to 21 complete pastel demonstrations that detail specific painting techniques and effects.
You'll learn how to: Create depth and movement with color Paint using a range of strokes Blend colors to create luminous skies, reflections and more Underpaint to achieve brilliant light and deep shadows Mix pastels with watercolor and gouache to create fluid effects Create new compositions from photographs In addition to step-by-step guidance, you'll be inspired by the work of ten nationally renowned pastel artists. Their contributions to this book illustrate the limitless possibilities of pastel painting and offer additional insight for working with this versatile medium. Maggie also includes dozens of helpful sidebars to help you save time, avoid mistakes and work more efficiently.
With its blend of visual instruction, thorough guidance and breathtaking artwork, this is the only guide you need to experience the joy and satisfaction of painting with pastels.
This book is currently unavailable
396 printed pages
Original publication
2007
Publication year
2007
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Quotes

  • Pavel Malyshkinhas quoted6 years ago
    When you block in the underpainting using this brilliant color method, exaggerate every color—for example, paint a dull beige or brown in a shocking orange. A hint of pink becomes a bright pink; a soft yellow-green should be underpainted in lime. It’s always easier to mute a strong or intense color than it is to intensify a dull color, so start with brilliance!
  • Pavel Malyshkinhas quoted6 years ago
    When you’re working on a subject that’s a bit dull, or a subject that has one dominant color, such as a mass of green trees, a complementary color underpainting adds sparkle. Begin with a single sketch, then block in the large shapes in complementary colors.
  • Pavel Malyshkinhas quoted6 years ago
    Try picking out about twenty sticks in the color scheme you’ve chosen for a painting. As you work, if you feel you need an additional color, see if it’s possible to use a stick of the correct value and temperature instead. Most pastel artists have hundreds of pastels but use only thirty or even fewer per painting.

On the bookshelves

  • Pavel Malyshkin
    Art
    • 14
    • 1
  • Pavel Malyshkin
    Pastel
    • 7
    • 1
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