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Eric Kohn

Harmony Korine

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Harmony Korine: Interviews tracks filmmaker Korine's stunning rise, fall, and rise again through his own evolving voice. Bringing together interviews collected from over two decades, this unique chronicle includes rare interviews unavailable in print for years and an extensive, new conversation recorded at the filmmaker's home in Nashville.
After more than twenty years, Harmony Korine (b. 1973) remains one of the most prominent and yet subversive filmmakers in America. Ever since his entry into the independent film scene as the irrepressible prodigy who wrote the screenplay for Larry Clark's Kids in 1992, Korine has retained his stature as the ultimate cinematic provocateur. He both intelligently observes modern social milieus and simultaneously thumbs his nose at them. Now approaching middle age, and more influential than ever, Korine remains intentionally sensationalistic and ceaselessly creative.
In 1995, Korine was discovered while skateboarding and became the bad boy teen writer behind Kids. He parlayed this success into directing the dreamy portrait of neglect Gummo two years later. With his audacious 1999 digital video drama Julien Donkey-Boy, Korine continued to demonstrate a penchant for fusing experimental, subversive interests with lyrical narrative techniques. Surviving an early career burnout, he resurfaced with a trifecta of insightful works that built on his earlier aesthetic leanings: a surprisingly delicate rumination on identity (Mister Lonely, 2007), a gritty quasi-diary film (Trash Humpers, 2009) and a blistering portrait of American hedonism (Spring Breakers, 2013), which yielded significant commercial success. Throughout his career he has also continued as a mixed media artist whose fields included music videos, paintings, photography, publishing, songwriting, and performance art.
This book is currently unavailable
307 printed pages
Original publication
2014
Publication year
2014
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Impressions

  • Jenniforshared an impression3 years ago
    👍Worth reading
    💡Learnt A Lot
    😄LOLZ

    Como dice Harm "es difícil ponerlo en palabras, es más fácil con el tacto, imágenes, texturas y sentimientos"

Quotes

  • Jenniforhas quoted3 years ago
    HK: To me, the most beautiful thing in the world is an abandoned parking lot and a soiled sofa on the edge of the parking lot with a street lamp off to the side. America seems like a series of abandoned parking lots, streetlights, and abandoned sofas.
  • Jenniforhas quoted3 years ago
    I never understood directors who work with storyboards and who stick to the scripts. It’s like the suburbs, all your houses look the same, and I’m sure they’re comfortable, but I don’t wanna fucking live with you. I don’t want to live in such neighborhoods. I wanted to throw some grenades in there and make things exciting.
  • Jenniforhas quoted3 years ago
    So we used a bunch of different types of video and then we transferred all the video to Super 8 film and then from Super 8 to 35mm film. I wanted this kind of swirled color.
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