To my regret I have never seen anything but reproductions of Michael Angelo’s frescos in the Sistine Chapel—but my regret is qualified by the belief that as decoration they can be nothing but a stupendous misconception—and that Whistler, with a choice of two or three simple tones, and the disposal of a restful pattern, would have produced an effect infinitely more pleasant to the æsthetic sense if that alone is to be considered.