Earle Ernst,Francis Haar

Japanese Theatre in Highlight

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Words cannot explain to an outsider the sight and feel of the Japanese stage. And definitions and descriptions do not convey an exact image to people brought up on a concept of the theatre that differs so greatly from the Japanese as ours. In seeing something foreign, too, our eyes must be guided carefully, so that we know what we are seeing and how to look at it profitably.All of us are to be grateful for this book, because now, without leaving our countries, or for that matter our armchairs, we can peer at leisure into expertly selected, edited and glossed highlights of the three great classical theatre arts of Japan-Noh, Bunraku and Kabuki.The Fifty-four ensuing photographs, with their textual commentary, are the equivalent, in my mind, of fifty-four choice seats at some of the best performances in modern Japan and intimate visits backstage.
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84 printed pages
Original publication
2010
Publication year
2010
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Quotes

  • Fidan Amrakhlyhas quoted7 years ago
    And Asataro Miyamori's "Masterpieces of Chikamatsu"
  • Fidan Amrakhlyhas quoted7 years ago
    Takeda Izumo (1691—1756) who in collaboration with other playwrights wrote "Chushingura," one of the most popular and frequently performed of all Japanese plays.
  • Fidan Amrakhlyhas quoted7 years ago
    collaboration of Takemoto Gidayu (1651—1714), who perfected a new style of rhythmical recitation, and Chikamatsu Monzaemon (1653—1724) who, in writing plays for the doll theatre, became Japan's greatest playwright.
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