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K.M. Weiland

Creating Character Arcs: The Masterful Author's Guide to Uniting Story Structure, Plot, and Character Development (Helping Writers Become Authors Book 7)

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Powerful Character Arcs Create Powerful Stories

Have you written a story with an exciting concept and interesting characters—but it just isn’t grabbing the attention of readers or agents? It’s time to look deeper into the story beats that create realistic and compelling character arcs. Internationally published, award-winning novelist K.M. Weiland shares her acclaimed method for achieving memorable and moving character arcs in every book you write.

By applying the foundation of the Three-Act Story Structure and then delving even deeper into the psychology of realistic and dynamic human change, Weiland offers a beat-by-beat checklist of character arc guidelines that flexes to fit any type of story.

This comprehensive book will teach you:

How to determine which arc—positive, negative, or flat—is right for your character.

Why you should NEVER pit plot against character. Instead, learn how to blend story structure and character development.

How to recognize and avoid the worst pitfalls of writing novels without character arcs.

How to hack the secret to using overarching character arcs to create amazing trilogies and series.

And much more!

Gaining an understanding of how to write character arcs is a game-changing moment in any author’s pursuit of the craft.

Bring your characters to unforgettable and realistic life—and take your stories from good to great!
This book is currently unavailable
191 printed pages
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Impressions

  • zavrik007shared an impression6 years ago
    👍Worth reading
    🎯Worthwhile

    The best book to create a bright and memorable character arc.

  • Tatiana Yanovichshared an impression7 years ago
    👍Worth reading
    💡Learnt A Lot
    🎯Worthwhile
    🚀Unputdownable

Quotes

  • нhas quotedlast year
    Up to this point, he will have been seeking to avoid a confrontation. Maybe he just plain doesn’t want to deal with the conflict. The world’s going to hell in a handbasket, but it’s not his fight. Or it could be that he spent the First Act wanting to overcome the Lie, but hoping it could be done diplomatically and peacefully, without a head-on confrontation. In either case, the First Plot Point will be a shocking event that suddenly makes the world’s external problems very personal to the protagonist
  • нhas quotedlast year
    The Second Act is all about releasing the protagonist upon an unsettled world. At first, he is forced to react to the major event at the First Plot Point and grapple with the Lie. Then everything changes at the Midpoint, when new knowledge about himself and/or the world allows him to start taking action by going on the offensive
  • нhas quotedlast year
    THE SECOND ACT is the beating heart of your story

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