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Victoria Charles,Émile Michel

The Brueghel

  • b9103660514has quoted6 years ago
    His work is so natural that he frequently does not seem to have set out with the preconceived idea of painting a particular moral lesson or proverb.
  • b9103660514has quoted6 years ago
    particularly Hieronymus Bosch, who lived less than half a century before Bruegel. Yet a rapid examination of Bruegel’s work convincingly shows that he worked through direct observation; he studied the spectacles of daily life more than the paintings of his predecessors.
  • b9103660514has quoted6 years ago
    Bruegel’s art is not the result of any particular school in the strict sense of the word. The best of his students, his son Pieter, known as the ‘Hell Brueghel’, simply copied him. Pieter Bruegel the Elder occupies an exceptional place in the history of Flemish painting, as much for the creative power of his genius as for his personal technique.
  • b9103660514has quoted6 years ago
    The philosophy of death in Bruegel’s work is not thrown into such relief. Rather, death is featured without the foil of life.
  • b9103660514has quoted6 years ago
    Orcagna’s fresco in Pisa conveys the sentiment of the perishable; Bruegel’s painting throws us into death’s arms.
  • b9103660514has quoted6 years ago
    groups or individually, exhibited their own stigmata.
  • b9103660514has quoted6 years ago
    Thirty years of Lutheranism had thrown their spirits into disarray and cast doubt into their hearts.
  • b9103660514has quoted6 years ago
    while the violence and cunning ever present in the Flemish character, which no longer maintained any discipline, became
  • b9103660514has quoted6 years ago
    the new rules to live by.
  • b9103660514has quoted6 years ago
    The arrival of an original artist whose work could summarise this critical moment in his people’s history was inevitable.
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