Highway Bodies

Who will you rely on in the zombie apocalypse?

*

Bodies on the TV, explosions, barriers, and people fleeing. No access to social media. And a dad

who’ll suddenly bite your head off — literally. These teens have to learn a new resilience…

Members of a band wield weapons instead of instruments.

A pair of siblings find there’s only so much you can joke about, when the menace is this strong.

And a couple find depth among the chaos.

Highway Bodies is a unique zombie apocalypse story featuring a range of queer and gender non-

conforming teens who have lost their families and friends and can only rely upon each other.

*

Bodies on the TV, explosions, barriers, and people fleeing. No access to social media. And a dad who’ll suddenly bite your head off — literally. These teens have to learn a new resilience…

Members of a band wield weapons instead of instruments.

A pair of siblings find there’s only so much you can joke about, when the menace is this strong.

And a couple find depth among the chaos.

Highway Bodies is a unique zombie apocalypse story featuring a range of queer and gender non-conforming teens who have lost their families and friends and can only rely upon each other.

Who will you rely on in the zombie apocalypse?

*

Bodies on the TV, explosions, barriers, and people fleeing. No access to social media. And a dad who’ll suddenly bite your head off — literally. These teens have to learn a new resilience…

Members of a band wield weapons instead of instruments.

A pair of siblings find there’s only so much you can joke about, when the menace is this strong.

And a couple find depth among the chaos.

Highway Bodies is a unique zombie apocalypse story featuring a range of queer and gender non-conforming teens who have lost their families and friends and can only rely upon each other.

*

Art dealer Alex Clayton and conservator John Porter are thrilled to be previewing the

Melbourne International Museum of Art’s (MIMA) newest exhibition, until they

witness a museum worker collapse and badly damage a reportedly cursed painting.

Belief in the curse is strengthened when MIMA’s senior conservator Meredith

Buchanan dies less than twenty-four hours later while repairing the work. But Alex

and John are convinced there is a decidedly human element at work in the museum.

The evidence sets them on the trail of a mysterious painting that could hold a key to

Meredith’s death, and the stakes are raised higher when Alex is offered her dream job

at MIMA. Damaging the museum’s reputation will jeopardise her professional future.

The friends soon realise they are facing an adversary far more ruthless than they had

anticipated, and there is much more at risk than Alex’s career