They were always men, those itinerant storytellers, for the bitter winding roads—bandit-swollen, lord-haunted—were and, for all that I might wish otherwise, will likely always be unkind to women. I remember the first of them to arrive in the court. He was lithe, circumspect in conduct. His coat was wrinkled. He wore a cravat around an untidy collar and had untidy curls that fluffed along his ears. The maidservants called him unhandsome, but he was kind to me and for that, I adored him.
“You remind me of me,” he told me once, sadly and quietly. Dusk had glazed the chamber in glowing indigo, gilded the chairs, the hulking cinnabar armoire, its surface engraved with vignettes of primordial birth. I could smell my evening’s repast: something choking with cream, fresh vanilla pods, a hint of citrus. “Trapped.”
In response, I shrugged and wrote him another koan to decrypt, this one pertinent to the rites of ceremonial fratricide. Later, I’d learn of the palimpsest he’d made from my stories, how he told the world that a mermaid, should she prove virtuous enough, may hope to transform into a daughter of air. Of all the
men who have mistold my history, I resent him least. Like me, he stood anchored in gilded chains, throat and wrists collared by another’s presumptions, breath beaten to gasps by a world that permits only a single direction: forward and away from our heart’s desire.
He was not quite wrong, but he certainly was not right