“And now, what are we to do about the child? Cannot you think of something, Carl?” Carl stooped down to disentangle some very small fingers which had been busy with his bootlaces, and as the baby crawled away to find fresh mischief he straightened himself and watched her with a ruefully puzzled expression. “Upon my word, Hans,” he said at last, «I can think of nothing but the Pietá. It seems hard, but all the boys are as poor as ourselves. The only married one is Sigersen, and his wife is away—and not much good when she is at home. The Vice-consul said we had better put the child in the Rota—and I am afraid that is what we shall have to do. The nuns will keep any name and address they find pinned on her clothes, and if things go better with us, or if it should turn out that poor Brockmann had any relations, and they ever inquire for her, we shall know where to look for her.” The speakers were two Scandinavian painters, young and kind and poor, members of the little brotherhood which, year in, year out, finds its way from the shores of the bleak North Sea to the blue and gold of the Mediterranean, to the marbles and the ilexes, to the campagna and the hills; and have taken root in the classic, teeming soil which is Rome. A friend and comrade, Niels Brockmann, had died a day or two before this little colloquy took place, and he had left behind him a dismantled studio, some good but unfinished studies, and a baby girl whose pretty young mother had not survived her birth.
