Lisa Cron

Wired for Story: The Writer's Guide to Using Brain Science to Hook Readers from the Very First Sentence

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In this edition of his widely acclaimed study, Marion B. Lucas tackles one of the most debated questions about the Civil War: Who burned South Carolina's capital city on February 17, 1865? Before the fires had finished smoldering, Confederates and Federals accused each other of starting the blaze, igniting a controversy that has raged for more than a century. To determine the actual origin of the fire, Lucas sifts through myriad official records, newspapers, and eyewitness accounts. The evidence he amasses allows him to debunk many of the myths surrounding the tragedy. Unlike generations of South Carolinians and students of the Civil War, he does not assign particular blame to William Tecumseh Sherman but implicates both Confederate and Federal troops. Lucas traces the damage not to a single blaze but to a series of fires—preceded by an equally unfortunate series of military and civilian blunders—that included the burning of cotton bales by fleeing Confederate soldiers.
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267 printed pages
Original publication
2012
Publication year
2012
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Quotes

  • loevelifehas quoted7 years ago
    Cognitive psychology professor and novelist Keith Oatley puts it this way: “In literature we feel the pain of the downtrodden, the anguish of defeat, or the joy of victory, but in a safe space.… We can refine our human capacities of emotional understanding. We can hone our ability to feel with other people who, in ordinary life, might seem too foreign—or too threatening—to elicit our sympathies. Perhaps, then, when we return to our real lives, we can better understand why people act the way they do.”9 Or put more simply, as the aggravated newsreel producer barked at the beginning of Citizen Kane, “Nothing is ever better than finding out what makes people tick.” Because with that comes the predictive power of knowing when to hold ’em, when to fold ’em, and when to run for cover.
  • loevelifehas quoted7 years ago
    Remember, it is the job of a story to dig beneath the surface and decipher life, not just to present it. Stories illuminate the meaning the protagonist reads into events that, in real life, would not be so easy to understand. Julian Barnes sums it up nicely: “Books say: she did this because. Life says: she did this. Books are where things are explained to you; life is where things aren’t.”8
  • loevelifehas quoted7 years ago
    from the text and integrated with personal knowledge from past experiences. These data are then run through mental simulations using brain regions that closely mirror those involved when people perform, imagine, or observe similar real-world activities.”5

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