More than any other musician, Herbie Mann was responsible for establishing the flute as an accepted jazz instrument. Prior to his arrival, the flute was a secondary instrument for saxophonists, but Mann found a unique voice for the flute, presenting it in different musical contexts, beginning with Afro-Cuban music and then continuing with music from Brazil, the Middle East, the Caribbean, Japan, and Eastern Europe. A self-described restless spirit, his insatiable curiosity about the world led him to experiment with different kinds of sounds, becoming a virtual Pied Piper of jazz. He attracted thousands to his concerts while alienating purists and critics alike.
The Evolution of Mann covers his fascinating career, which spanned five decades, from his beginnings in a tiny Brooklyn nightclub to his appearances on international stages. “I want to be as synonymous with the flute as Benny Goodman is to the clarinet,” he was fond of saying. By the time he died of prostate cancer in 2003, he had fulfilled his desire.
