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Walter Benjamin

Walter Bendix Schönflies Benjamin was a German-Jewish Marxist literary critic, essayist, translator, and philosopher. He was at times associated with the Frankfurt School of critical theory and was also greatly inspired by the Marxism of Bertolt Brecht and Jewish mysticism as presented by Gershom Scholem.As a sociological and cultural critic, Benjamin combined ideas drawn from historical materialism, German idealism, and Jewish mysticism in a body of work which was a novel contribution to western philosophy, Marxism, and aesthetic theory. As a literary scholar, he translated the Tableaux Parisiens edition of Baudelaire's Les Fleurs du mal as well as Proust's In Search of Lost Time. His work is widely cited in academic and literary studies, in particular his essays The Task of the Translator and The Work of Art in the Age of Mechanical Reproduction. Influenced by Bachofen, Benjamin gave the name "auratic perception" to the aesthetic faculty through which civilization would recover a lost appreciation of myth.

Quotes

Said Sadikhovhas quoted2 years ago
Still, the discoverers and lovers of this destructive power originally were inspired by an entirely different intention, the intention to preserve; and only because they did not let themselves be fooled by the professional “preservers” all around them did they finally discover that the destructive power of quotations was “the only one which still contains the hope that something from this period will survive—for no other reason than that it was torn out of it.” In this form of “thought fragments,” quotations have the double task of interrupting the flow of the presentation with “transcendent force” (Schriften I, 142–43) and at the same time of concentrating within themselves that which is presented. As to their weight in Benjamin’s writings, quotations are comparable only to the very dissimilar Biblical citations which so often replace the immanent consistency of argumentation in medieval treatises.
Said Sadikhovhas quoted2 years ago
As Benjamin was probably the first to emphasize, collecting is the passion of children, for whom things are not yet commodities and are not valued according to their usefulness, and it is also the hobby of the rich, who own enough not to need anything useful and hence can afford to make “the transfiguration of objects” (Schriften I, 416) their business.
Said Sadikhovhas quoted2 years ago
Like the revolutionary, the collector “dreams his way not only into a remote or bygone world, but at the same time into a better one in which, to be sure, people are not provided with what they need any more than they are in the everyday world, but in which things are liberated from the drudgery of usefulness” (Schriften I, 416). Collecting is the redemption of things which is to complement the redemption of man.
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