Pete Morrow is an alienated FBI agent whose only escape from the

colleagues and society he despises is through reading literary classics. When

his boss sends him to warn away a drug dealer on an obscure army base, he

discovers a murder and becomes obsessed with Jade McClellan, a mysterious man

whose rock band just performed at the crime scene. Tough-guy Morrow has never

been in love before—but Jade is almost magical, an embodiment of myth and

literature who creates living fantasies that rapidly become the only thing

Morrow values in his otherwise miserable life. But there's a problem. Morrow is

investigating a mafia family that is investing in Jade's musical career. Being

open about their relationship could get both of them killed. Morrow's

investigation annihilates his hard-boiled understanding of reality when he

learns that Jade is an abandoned, mortal son of Dionysus, the god whose energy

informs hard rock. Jade's mafia support is being arranged by Dirty Penny

Starmaker, a witch who started life in 5th century BCE Athens, where she

received a divine mandate to promote brilliant musicians throughout history.

Penny is warring with Hugh McCrae, a primeval, human-like "monster"

who has currently incarnated himself as a congressional aide with an unhealthy

interest in Morrow's work. McCrae (rhymes with "decay") carries his

own divine mandate to promote cultural decline by eradicating creativity and

art. This includes Jade, his music, and Morrow's newfound happiness. A

seamless blend of psychological thriller, dark satire, magical realism, LGBTQ

romantic suspense, and myth, The Maenad's God is the story of a spiritual war

that's been fought for thousands of years; the war between the ancient arts of

music, poetry, and love; and the equally ancient forces of artistic envy,

oppressive law, and authoritarian religion.

Amy Hall